ECKS SHED

By Arturo Soto

Rigorous photographic typologies reveal and suppress in equal measures. They shield the picture from contingency and intuition, in exchange of an acute assessment of the subject. They are a paradox, and should be treated as such. The expectations of this genre have not been fulfilled here, for I have deviated from its procedures in order to incorporate the intriguing prospects of the real world. My interest lies in questioning the location of meaning within a typology. Is it in the authority that accumulation exerts when adhering to a constraining methodology, or is it in the revealed subjectivity of the photographer that the apparatus can never entirely conceal?



- Edition of 50
- Black & White
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